She also knew that he was the type who would not make a single physical overture until she pushed the correct buttons. It was her past now, not Annabel’s. ‘Where the devil have you been?’ ‘Consorting with a nun in the gardens. They don’t catch on to discursive interests, you see, because they are more serious, they are concentrated on the central reality of life, and a little impatient of its—its outer aspects.
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