Ramage seemed always fencing about the forbidden topic, probing for openings, and she wondered why she did not give him them. Why would Shari tell Michelle or anyone outside the family a name? Why would Michelle ask? In 1965, Sheila McCloskey loved to watch two subjects in particular with binoculars: birds and neighbors. “Why on earth did you TELL me?” he cried. He lifted her from the floor. The lighting-up pierced the obscurity of the box, and Ramage stopped his urgent flow of words abruptly and sat back.
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