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The boiling under her stern, however, told him nothing. ‘Jacques?’ she called out, forgetting the need for silence. Before she knew what had happened, Gosse turned suddenly, and vaulted one of the pews into the gap behind. He sent a speculative glance at the immobile yellow face. On the other a wretched engraving of the Chevalier de Saint George, or, as he was styled in the label attached to the portrait, James the Third, raised a suspicion that the inmate of the house was not altogether free from some tincture of Jacobitism.

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