Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare. Wood, meanwhile, had summoned his men-servants, and having armed them with such weapons as could be found, they proceeded to the garden, where the first object they encountered was Thames Darrell, extended on the ground, and weltering in his blood. But over against the world Miss Miniver assembled a small but energetic minority, the Children of Light—people she described as “being in the van,” or “altogether in the van,” about whom Ann Veronica’s mind was disposed to be more sceptical. Monsieur Charvill, he is also my cousin. He stopped before her suddenly. He knew she had been weeping.
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